Inspired by small details and large fragments of the natural world, I explore how power, ecological processes, and systems of deeply rooted fragmentation continue to shape the world as I know it. Working within a precarious modern reality that combines vibrant life and violent industry, I create representational landscapes and sculptural forms.

Through pairing organic and man-made materials produced through extraction, I analyze materials meaningful, representative, and alive. My work engages ecological concerns alongside questions of knowledge and perception. Specifically, I research how land is interpreted within political and social human frameworks, investigating landscapes that are altered, eroded, and reconstituted over time. Grounded in small scale experimentation and material inquiry, I study how interactions, processes, and interpretations are deeply embedded within the intimate relationship between human and more-than-human systems.

Clay is central to my practice as a material born from the earth. I am drawn to its responsiveness, how its surfaces record pressure and heat; all marks formed beyond my control. When sculpting, I often introduce water as an active collaborator. I let water reclaim surfaces, eroding its crevices and planes, becoming evidence of the constant presence of nonhuman animate force